Nani has collaborated with Vivek for his new film ‘Saripodhaa Sanivaaram‘, following their previous partnership in the romantic comedy ‘Ante Sundaraniki‘. The film features Priyanka Mohan in the lead female role, while Tamil actor SJ Suryah plays the antagonist. The cast also includes Abhirami, Aditi Balan, Sai Kumar, Murali Sharma, Ajay, Supreeth, among others. The music is composed by Jakes Bejoy and Murali G, with editing by Karthika Srinivas.
Release data
Mark your calendars for August 29, 2024, when the film hits theaters! At 175 minutes long, it’s loaded with exciting action and a storyline that’s bound to keep everyone engaged.
What’s the film really about?
Surya, who’s played by Nani, has been dealing with anger issues since he was a child and promises his mom that he’ll only fight on Saturdays. Daya, played by SJ Suryah, is a notoriously harsh cop. The movie ‘Saripodhaa Sanivaaram’ tells the story of why Surya chooses Daya for his Saturday fight and how, through that confrontation, he ends up saving the people of Sokulapalem from Daya’s cruelty.
Analysis of ‘Saripodhaa Sanivaaram’ movie
The narrative centers around Surya, a man grappling with anger management issues who becomes a vigilante, meting out justice only on Saturdays, as promised to his mother. His journey intersects with that of a merciless policeman, resulting in gripping confrontations.
The film’s introduction, interval, climax, and several intense scenes between Nani and SJ Suryah are particularly well-executed. However, the pacing suffers from a lack of engagement in the middle sections, and the predictability of the screenplay contributes to a sense of lengthiness. Character development is a strong point, with SJ Suryah’s portrayal being particularly noteworthy.
Nani delivers a commendable performance in a role that suits him well. The background music enhances the action sequences. Despite its shortcomings, the film is worth a watch for a casual viewing experience.
Vivek Athreya steps outside his usual style with this film, which leans more towards a serious action drama rather than light-hearted entertainment. While he aimed to create a savior-themed narrative, he only partially succeeded. A more dynamic pacing and a distinctive screenplay could have elevated the film further.
Saripodhaa Sanivaaram has a cool premise where the main character only throws down on Saturdays. He spends the rest of the week either stewing in his anger or letting it go before the big showdown. It just needed a fresh and stylish take, kind of like those Malayalam flicks like Thallumaala or the recent RDX that mix action and drama so well.
People online are saying the movie runs a bit long, but they really loved the performances by Nani and SJ Surya. Fans have also mentioned that the first half is solid, and the interval scene is truly captivating.
The film “Saripodhaa Sanivaaram” has made its way beyond Telugu, getting dubbed in Tamil, Malayalam, Kannada, and Hindi, where it will be called “Surya Saturday.” It stars Abhirami, Aditi Balan, Sai Kumar, Murali Sharma, and Ajay, with Jakes Bejoy handling the music.
When it comes to the technical aspects, Jakes Bejoy’s background score really takes the cake. His songs might not be everyone’s favorite, but the BGM is a real highlight that keeps the film alive. The only issue is that he sometimes cranks up the volume a bit too much, even in emotional scenes like the one with Sivaji, where a softer touch would’ve worked better. Still, he’s a major asset to the film.
Murali G’s cinematography is just okay; it doesn’t really wow you, but it’s not bad either. Karthika Srinivas’s editing could use some work, as the action-heavy film feels a bit stretched out with some long scenes that can drag. On the bright side, DVV Entertainment has decent production values.
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Highlights?
S.J. Suryah was impressive, and Jakes Bejoy’s score really set the mood. There were some tense scenes that worked well. However, there were some issues too.
Drawbacks?
The main plot was unique but the execution felt pretty standard. The emotional moments between Nani and the Sokulapalem people didn’t feel genuine, and the hero-heroine storyline was pretty flat. The clues leading S.J. Suryah to the Saturday fighter were underwhelming, and the film felt a bit too long.
